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After Aventicum, Christophe Claret turns to Mecca
New Models

After Aventicum, Christophe Claret turns to Mecca

Friday, 15 January 2016
By The FHH Journal editors
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The FHH Journal editors

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1 min read

This new timepiece reveals an astonishing and beautiful sight. Prepare to be amazed.

Exactly like the effigy of Emperor Marcus Aurelius enthroned at the heart of the Aventicum model, it is the micro-engraving of the Kaaba which is highlighted by the mirascope in the centre of the dial of Mecca.

The Mecca timepiece features a wealth of emblematic elements and references to the Muslim faith. The Arabic hour numerals were then replaced at 5 o’clock by a white ceramic stone and at 7 o’clock by a black spinel. The latter symbolizes the black stone located at the South-East angle of the Kaaba through which Muslims start the seven rounds of the Tawaf in a counter-clockwise direction. The white ceramic represents this same stone, as described in the Koran before it became black due to repeated touching by pilgrims.

The aesthetic and symbolic spectacle is continued on to the back of the Mecca timepiece. The ball-bearing cover is adorned with a transfer depicting the Kaaba, with the movement’s self-winding oscillating weight rotating around it. Crafted in sapphire so as to reveal the meticulous movement finishing, the oscillating weight bears a transferred world map featuring white dots symbolizing Muslims turning around the Kaaba.

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